Miriam Wilson TOSC ART | Transforming Fine Cuisine into Fine Art.
- Mark Walmsley FRSA AGSM

- Jul 7
- 6 min read
Updated: Aug 17

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Meet Miriam Wilson.
In this interview, Mark created Miriam Wilson's fantasy cultural year from the answers to some easy questions to which there were no wrong answers.
Mark had a magic wand and a time machine at his disposal, so expect some surprises, laughs, anecdotes and conversational detours.
"Can a Michelin-starred meal become a work of fine art?"
Most people admire a fine dish for only a few fleeting moments before it disappears forever. Miriam Wilson sees something different. She sees works of art that can last.
That simple observation became the inspiration behind ROSC ART, a unique artistic practice that transforms the creations of the World's leading chefs into striking abstract artworks, giving permanence to one of the world's most ephemeral creative disciplines.
Born in Ireland and now based in Luxembourg, Miriam spent four decades building a successful international career in finance and entrepreneurship before returning to the passion that had inspired her as a child: art.
Creativity had always accompanied her professional life, but retirement gave her the opportunity to pursue an entirely new vision.
The idea came while dining at a three-Michelin-star restaurant.
As each beautifully presented dish arrived, Miriam found herself thinking, "This is a work of art." Yet unlike a painting or sculpture, it would exist for only a few moments before becoming nothing more than a memory. She began asking herself a simple question: could these extraordinary creations be reimagined as lasting works of fine art?
Since 2024, she has worked with acclaimed chefs across Europe, photographing their signature dishes before transforming them into bold abstract compositions. Rather than simply reproducing the food, her artworks capture its atmosphere, movement, colour and emotional impact, creating a new visual interpretation of the original culinary experience.
The fleeting fine cuisine and the lasting fine art ...
The name ROSC comes from Old Irish and was famously associated with Ireland's influential ROSC exhibitions, where it was interpreted as "The Poetry of Vision." It perfectly reflects Miriam's ambition to encourage people to see artistry where they might never have expected to find it.
Listening to Miriam speak, it becomes clear that her work is about far more than abstract art. It is about challenging how we define creativity itself.
The world's finest chefs compose with colour, texture, balance and emotion just as painters compose with pigment and canvas. Through ROSC ART, Miriam brings these two creative worlds together, inviting us to view exceptional cuisine not simply as food, but as an art form worthy of preservation.
In doing so, she has created something genuinely original.
Not just a distinctive artistic style, but a new conversation about where art begins—and where it can be found.
Examples of Miriam Wilson's work:
Miriam Wilson's Fantasy Cultural Year ... with a magic wand and a time machine to hand.
Every Arts and Culture Network full member is invited to embark on a Fantasy Cultural Year—an imaginary journey inspired by their passions, creativity and curiosity.
For Miriam Wilson, the adventure becomes a celebration of the world's finest chefs and the extraordinary artistry that appears on a plate for only a few fleeting moments before disappearing forever.
Petra, Jordan.
It's 6pm, the evening is warm, and Miriam is sitting at a tastefully imagined pop-up café overlooking the extraordinary ancient city carved into the rock.
On the table is a glass of one of her favourite white wines, Château Carbonnieux, chosen for its fresh mineral and grapefruit character. At her elbow is Stephen Hawking's Brief Answers to the Big Questions, a book she finds fascinating for the way it challenges us to think about life, humanity and our future.
And through her headphones? Fleetwood Mac's Albatross.
But Miriam has another reason to be feeling pleased with herself. A wealthy - if fictitious - Jordanian family foundation has fallen in love with the concept behind ROSC ART: the convergence of food and visual art.
They offer to fund Miriam for a year, travelling first class around the world's greatest restaurants, creating new abstract works in response to the extraordinary cuisine she encounters.
A television crew will document the adventure. There will be a beautiful coffee-table book, a TED Talk, a global university lecture tour and media appearances establishing Miriam as a leading voice in the recognition of cuisine as an art form.
Naturally, she accepts.
First stop: Copenhagen.
Miriam chooses the Danish capital because of its extraordinary concentration of world-class chefs and restaurants. After settling into a loft apartment overlooking the city, her hosts take her to a Broadway-style musical—something with the exuberance of Kinky Boots—before dinner.
But Miriam refuses to choose a single national cuisine. The chefs she admires most bring cultures together, so dinner becomes a fusion of Copenhagen's local produce with flavours and spices drawn from elsewhere in the world.
Next comes Tokyo, a city Miriam is keen to revisit because of the exceptional skill, craftsmanship and presentation she finds in Japanese cuisine.
There's time for something else she loves: golf. With the magic wand available, some of the world's greatest golfers assemble for a rather special Japanese tournament.
Then it's somewhere Miriam has never visited. India.
Mumbai offers an explosion of flavours and spices, but also an extraordinary new digital gallery where virtual reality allows visitors to step inside the work of any artist.
Miriam chooses Claude Monet.
Suddenly she's inside his world, walking among the lilies, grasses, sunlight and glorious colours of his garden rather than simply looking at them on canvas.
Then it's back to London for an extraordinary cultural week.
First, the time machine transports Miriam to Wembley Stadium in 1985 to experience Queen's legendary Live Aid performance—a concert she wishes she could have seen.
At Shakespeare's Globe, she finally sees The Merchant of Venice brought to life after studying it extensively at school. Kinky Boots and Hamilton provide the musical possibilities, while the magic wand creates an impossible operatic pairing for La Bohème: Luciano Pavarotti and Andrea Bocelli together.
Movie night requires one final journey—to the Sphere in Las Vegas, where Miriam chooses the ultimate cinematic marathon: the entire Star Wars saga, experienced in chronological order on one of the most extraordinary screens imaginable.
And finally, the Fantasy Lunch.
Back in London, Miriam can invite anyone from history to join her for a leisurely two-hour meal. Her choice is immediate. Leonardo da Vinci. Artist, inventor, scientist, engineer and insatiably curious observer of the world, he is perhaps the perfect lunch companion for a woman whose own career has crossed from finance and entrepreneurship into art, and whose work now brings together two creative disciplines rarely considered side by side.
Miriam suspects Leonardo might spend as much time asking questions as answering them.
And somehow, that feels entirely appropriate.
Because Miriam's Fantasy Cultural Year, like ROSC ART itself, is ultimately about curiosity—looking at familiar things differently and discovering creativity in places others might overlook.
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Mark Walmsley FRSA FCIM AGSM
Chief Culture Vulture
Arts & Culture Network
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Chief Culture Vulture
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